Ballet Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is naturally upright, his arms muscular beneath a simple tee. On stage, dancers can appear like mighty deities, yet often offstage they are small. Not so Ball, whose height is part of his demand for princely roles and pas de deux work. Possessing fine features and intense eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Pinnacle

At 31, Ball is experiencing the crest of a career that has progressed seamlessly. Growing up in Liverpool, he encountered little ridicule for his early passion in ballet. Joining the esteemed training institution at 11, he moved straight into the company and was advanced annually, reaching the highest position of lead dancer in 2018. He has loved tackling substantial dramatic roles, particularly the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming starring role is as himself, in an "Evening With" series aiming to offer intimate perspectives into a dancer's craft. He will walk the audience through a part, showing his cognitive workflow while performance. Even in more comedic ballets, the challenge is significant. "Don Quixote is one of the most demanding technically," he states.

The Mental Struggle and Post-Performance Feelings

How does he feel after a show, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed afterwards. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Artistic Influences

His determination stemmed from youthful setbacks. Not doing well in contests at school made him "vengeful!" It was motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is creating his own choreography. For Ball, "organic movement has value." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, music, and art.

Close-Up Performance and Private Partnership

He additionally is interested in presenting dance in more intimate venues. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t usually matched on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."

On Social Media and Physical Perception

On Instagram, fans can see clips from his projects and images that showcase a sculpted physique. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on various levels.

Ball characterizes his early self as "eager for success." Did it met his hopes? "I am conscious of how life is a different reality to the dreams you had as a young person," he muses. He likely has about ten years of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

Stephanie Gonzalez
Stephanie Gonzalez

A seasoned financial analyst with over a decade of experience in global markets, specializing in portfolio optimization and risk management strategies.